I’m not only on stage to satisfy myself but them as well.”Īs the commemorations continue for Hip-Hop’s 50th anniversary, it’d be remiss not to acknowledge Brooklyn’s impact on the genre. I like to make people happy and make sure everyone is smiling. I need to ensure that when they go home, they tell everyone that Lola Brooke gave them a good time. I always want to give people a show, and when people ask me what I love the most about performing, I will always say the audience because they matter so much. I love being in the studio, but I love how I feel on stage. I love being on stage more than being in the studio. Instead of busting through mainstream rap’s door with in-your-face lyricism, Foxy Brown led with sultriness on her debut 1996 single “Get Me Home.” It leans more R&B, thanks to the sample of Eugene Wilde’s “Gotta Get You Home Tonight” and Blackstreet crooning on the hook.“I love music, but I really love being an entertainer. The Slow Jams (“Get Me Home,” “Touch Me, Tease Me”) Brown was raunchy on the verses, while Jay-Z showed off his ear for catchy radio-ready hooks: “Straight out the gate y’all, we drop hits / Now tell me, how nasty can you get.” When it came to getting nasty, Brown always delivered. The pair reconnected for Brown’s 1997 “I’ll Be,” an Ill Na Na single that samples René & Angela’s 1985 R&B jam “I’ll Be Good.” “I’ll Be” is her highest-charting song to date (it peaked at No.7 on the Billboard Hot 100) and further showcased the musical chemistry between the two stars. It remains one of the most iconic “battle of the sexes” hip-hop tracks of all-time. One of their most notable collaborations is 1996’s street anthem “Ain’t No N-a,” included on The Nutty Professor soundtrack and Jay-Z’s lauded debut album Reasonable Doubt. The Jay-Z Co-Sign (“Ain’t No N-a,” “I’ll Be”)įoxy Brown and Jay-Z sparked a friendship in the mid-90s after her Def Jam signing, which led to Jay co-writing some of her earliest songs (“Get Me Home,” “Big Bad Mamma,” “Hot Spot”) and hopping on a handful of singles. The Neptunes produced 2001’s “Candy.” Featuring Kelis on the hook, the Broken Silence single combines Brown’s icy flow with poppier, New Wave-inspired melodies. (“MC’s wanna eat me but it’s Ramadan.”) As the next decade rolled around, the rapper maintained her explicitness but updated her previously brash production for more streamlined sounds. It was the album’s lead single, Brown didn’t hold back with the sexual rhymes. That sass continued with “Hot Spot” from the rapper’s 1998 sophomore album Chyna Doll. When discussing rappers who changed the game, the conversation must include Foxy Brown. She’s served as an inspiration for a new generation of female artists, including Rihanna, Megan Thee Stallion, Maliibu Miitch, and Nicki Minaj. By comfortably owning her provocative nature and embracing her multi-cultural heritage, she arguably paved the way for bigger stars that arrived years later. The importance of Brown has grown as time has gone on. It helped set a standard for the new class of female rappers as it flawlessly balanced sexual confidence, rugged street references, and a fashionable persona. At 17 years old, she signed a record deal with Def Jam.īrown’s debut album, Ill Na Na, was released later in 1996. Brown’s unabashedly carnal lyrics were a shock to many, but that rawness was part of the appeal. She quickly cemented her place in the industry with her appearances on 1996’s The Nutty Professor soundtrack with “Touch Me, Tease Me” alongside Case and “Ain’t No N-a” with Jay-Z. She soon caught the attention of production team Trackmasters, who later added her as the lone female guest on LL Cool J’s testosterone-heavy “I Shot Ya (Remix)” in 1995. While it was overwhelmingly male-dominated, women found ways to cut through – and Foxy Brown’s best songs made her one of the key players on the frontline.īorn Inga DeCarlo Fung Marchand in Brooklyn’s Park Slope neighborhood, Brown got her start at local talent shows. During the 90s, Brooklyn was an incredible source of rap talent that not only took over the streets but the music industry at large.
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